This paper circulates around the core theme of 1. Mizoguchi Akiko, “Gender and the Art of the Benshi: In Dialogue With Midori Sawato,” Camera Obscura 78 (2011): 155-163. together with its essential aspects. It has been reviewed and purchased by the majority of students thus, this paper is rated 4.8 out of 5 points by the students. In addition to this, the price of this paper commences from £ 99. To get this paper written from the scratch, order this assignment now. 100% confidential, 100% plagiarism-free.
Japanese Film Paper
Paper instructions:
The benshi underpins Japanese cinema before 1931 when talkies were introduced, and remains important for half a decade or so following. Comment on the history and importance of the benshi for Japanese film and discuss two or three key ways in which the Benshi’s narration plays a vital role in guiding (and, perhaps, influencing) the spectator, using Mizoguchi’s film, The Water Magician, as a case study.
Guidelines: Size 12 Times New Roman. Double-Spaced. Footnote citations at the bottom of the page(no exceptions).
Documents that must be used and cited include:
1. Mizoguchi Akiko, “Gender and the Art of the Benshi: In Dialogue With Midori Sawato,” Camera Obscura 78 (2011): 155-163.
2. Fujiki Hideaki, “Benshi as Stars: The Irony of the Popularity and Respectability of Voice Performers in Japanese Cinema,” Cinema Journal 45 (Winter 2006): 68-84.
Additionally, between two and four additional sources must be found and used. These sources may only be books, book chapters, or journal articles.
Obviously Mizoguchi’s film “The Water Magician” must also be used.
